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A LITTLE ABOUT ME

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-Yuri Tsuzuki

Every forest is a labyrinth

of unspoken thoughts,

secret paths to be discovered.

Credit: Paul Mehaffey

ARTIST STATEMENT

Through sculpture, I explore steel's strength and wood's warmth.  Painting captures fleeting moments - color's vibrancy and light's play.  I am inspired by the rigid geometry of city grids and the organic pathways of forest trails.  My works navigate the balance between order and chaos, structure and spontaneity - seeking to capture moments where paths converge and perspectives shift, filtering all boundaries in between. 

MORE ABOUT ME

Some people read maps. Others collect them. Most can’t fold them back. That’s me. When I was living with my next door neighbor, Andrew Wyeth came to dinner. I was 16. He asked if might paint me - nude - for a new series. My mother said, “Absolutely not.” After I started my career as a journalist telling stories - 8 years of hard news and art documentaries in New York City for NHK Japanese public television. During that time I painted, attended graduate school in art history, and worked the early morning shift building architecturally worthy desserts at La Cote Basque. Never one to sit still, I interned at the Museum of Modern Art in the photography department reading the original, handwritten letters of Edward Steiglitz - complaining that his hand writing was abominable. My interest in public art began when I met Christo and Jeanne Claude in Tokyo. As we became friends, they invited me to participate as a translator and installer for the 1991 Umbrella Project in Japan and California. It’s during this time, I observed how art can transform a community. In 1994 was my first solo museum show at the Greenville County Museum of Art. And, now 30 years later... My life is a layered map of surprising intersections, memories, and experiences that continue to unfold.

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